Monday, October 28, 2013

And The Reward Goes To...

My Kickstarter campaign was a phenomenal success, and the publicity gears are already in motion. 

Lately I have been incredibly busy fulfilling the Rewards (books, autographed books, T-shirts, etc.) requirement of the crowdfunding campaign, and consequently I have been a one-man postal service—lazy, surly, and glacially paced. 


But the rewards, indeed! It is funny to me (in the interesting, not-funny way) that I am sending out rewards when the fact is that it is I who have been so rewarded. When I look at the list of backers, it is like looking at a blessed kaleidoscope of my life. I received donations from my loving family, from St. Francis friends, from Mayfield friends, from Ohio University friends, from SoCal friends, and from complete strangers. Each of them was a hand reached out to help me from falling off the face of my existence—the very real danger of my all-or-nothing literary ambition!—and I could almost literally weep into each outstretched hand that came forward.

But instead I've placed books in those hands.

The books are more meaningful than the tears would ever be. I am always a storm of emotions, so evidence of me being overwhelmed is easy to dig up, but evidence of a man who's spent twenty years quietly refining the edges of his prose? Most of that evidence is unrecorded, but today it takes shape in the form of my darling opus, which shape I am sending all across the country.



I've never been more stressed out or scared in my life. It would take an entire autobiography to explain how important this whole venture is to me (far beyond the skeletal structure I've set down already on this site), and yet with love comes vulnerability, so right now I am utterly exposed. Nearly every time I've been raised up by anything in my life, it seemed to be only so that I could be spiked forcefully back into the ground. This time, I am so pleased with what I have created that I have reached some of the loftiest heights of my life, and my terror comes from the idea that a black swan will pop this bubble and I'll have to ride this dying, farting balloon until I slam into something that won't let either of us pass through.

But that is how my mind always works—worries itself until it glows bright hot and ready to explode. And I only bring this all up to once again circle back to the concept that I had no idea how psychologically rewarding this crowdfunding thing would be. I desperately needed the money, but I didn't realize how much I needed the validation. (As a person who strives to be as self-contained as possible, I usually ignore that part of myself). But the fact is that I have been fairly alone on this literary island for literal decades, and yet each backer seemed to be letting me know that there really are people out there who are receptive to what I'm doing here, and that an actual audience exists beyond the theoretical Reader who exists in my mind and whom I'm always trying to charm.

But even beyond the psychological rewards, the publicity efforts have already resulted in an extremely praising review of the book. Until I received that review, the only people who'd read the book were people who love me on one level or another, so it was hard for me to trust that their artistic opinions weren't influenced by their existential ones. But that kind of review from a complete stranger?

I honestly didn't need it—I've read hundreds of books, and I wish this didn't sound so cocky but I already know how good my book is—so what I can say honestly about that review is that reading it was a great relief. Someone else—in fact, the utterly brilliant reviewer F.T. Donereau—"got it."

Either way, the sum of this whole experience comes down to this: I have learned that there are at least 83 other people in the world who've vociferously supported my literary ambitions, and that's just enough to make me want millions more, haha.

So for now it's back to the one-man postal service ("Dan D. sleeps alone tonight"), back to worrying myself furiously, but at least momentarily enjoying the lofty view from atop this as-yet-unpopped bubble I'm riding.

Weeeeeeeeeeeeeeeeeeeeeeeeeeeeeee!

Friday, September 13, 2013

Kickstart My Heart!

My new novel's Kickstarter campaign is up and off to a great start!

http://www.kickstarter.com/projects/371578267/the-great-anti-american-novel

I'll have more on that later, but for now I at least wanted to get a link up here on America's Number One Blog.

Thursday, August 29, 2013

More Reading! (For My Fellow Bibliophiles)

And for those of you who consider yourselves to be readers already—God bless your noble, tender souls—it seems appropriate to also post a list of books I sincerely recommend to any friends out there who might be looking to challenge themselves with some of best and deepest shit I've ever read in my long reading life.

Lolita, by Vladimir Nabokov;
A Collection of Essays, by George Orwell;
A Supposedly Fun Thing I'll Never Do Again, by David Foster Wallace;
Consider the Lobster, by David Foster Wallace;
Infinite Jest, by David Foster Wallace;
Girl With Curious Hair, by David Foster Wallace;
Lectures on Literature, by Vladimir Nabokov;
Lectures on Russian Literature, by Vladimir Nabokov;
Don Quixote, by Miguel de Cervantes;
Lectures on Don Quixote, by Vladimir Nabokov;
Tao Te Ching, by Lao-Tzu;
Book of Five Rings, by Miyamoto Musashi;
Games People Play, by Eric Berne;
Sexus, by Henry Miller;
The Third Policeman, by Flann O'Brien;
The Razor's Edge, by W. Somerset Maugham;
The Hunchback of Notre Dame, by Victor Hugo;
Johnny Got His Gun, by Dalton Trumbo;
A Feast of Snakes, by Harry Crews;
Arthur Rimbaud: Complete Works, by Arthur Rimbaud;
Raise High the Roof Beam, Carpenters, And Seymour: An Introduction, by J.D. Salinger;
The Autobiography of Malcolm X, by Malcolm X and Alex Haley;
The World's Religions: Our Great Wisdom Traditions, by Huston Smith;
Zen and the Art of Motorcycle Maintenance, by Robert M. Pirsig;
The Story of Philosophy, by Will Durant;
Guns, Germs, and Steel: The Fates of Human Societies, By Jared Diamond;
The God of the Machine, by Isabel Paterson;
Pale Fire, by Vladimir Nabokov;
The Great Shark Hunt: Strange Tales from a Strange Time, by Hunter S. Thompson;
Steps, by Jerzy Kosinski;
Portnoy's Complaint, by Philip Roth;
My Stroke of Insight: A Brain Scientist's Personal Journey, by Jill Bolte Taylor;
Alaska, by James Michener; and
The Diaries of Franz Kafka, by Franz Kafka.

Suggested Reading List

Some people are interested in reading—in becoming readers, God bless their noble hearts—but many people are intimidated by the sheer number of books out there. It is with that in mind that I recommend the following titles, which I stake my artistic reputation on as being excellently written books that are worth your time if you're interested in becoming a reader: 

The Godfather, by Mario Puzo; 
Slaughterhouse-Five, by Kurt Vonnegut;
A Confederacy of Dunces, by John Kennedy Toole;
Fight Club, by Chuck Palahniuk;
Into the Wild, by Jon Krakauer;
Into Thin Air, by Jon Krakauer;
The Right Stuff, by Tom Wolfe;
In Cold Blood, by Truman Capote;
The Basketball Diaries, by Jim Carroll;
The Bell Jar, by Sylvia Plath;
The Stand, by Stephen King;
The Catcher in the Rye, by J.D. Salinger;
1984 by George Orwell;
The Silence of the Lambs, by Thomas Harris;
Jurassic Park, by Michael Crichton;
One Flew Over the Cuckoo's Nest, by Ken Kesey;
Anna Karenina, by Leo Tolstoy;
The Fountainhead, by Ayn Rand (fuck all haters);
East of Eden, by John Steinbeck; and
Fear and Loathing in Las Vegas, by Hunter S. Thompson.

Tuesday, August 27, 2013

Seymour Glass, John Kennedy Toole, J. D. Salinger, And Turning 32

Seymour Glass is a fictional character created by J. D. Salinger, and at the end of the short story "A Perfect Day for Bananafish," Seymour Glass, age 31, *spoiler alert* takes out a gun and kills himself.

John Kennedy Toole is the author of the novel A Confederacy of Dunces, which was thoroughly rejected and unpublished at the time of his suicide, at the age of 31.

It literally felt surreal when I woke up on my 30th birthday. In my youth I thought for sure I would have killed myself by that point. I thought I would have ended myself long before I ever reached the stage of life that I considered to be Undeniable Adulthood. 

My first suicidal thought arrived in my early teens (my theory for why that is requires a book series to do it justice, and I haven't written it yet), and while Death's hands have many fingers, there is one finger that taps those who eventually deliver themselves unto the altar of nonexistence—those who walk up and willingly impale themselves on the mortal scythe.

And yet I awoke that morning—30 years old, one of the biggest losers in the history of modernity, and still alive and blinking.

In a very confusing way, I was proud of myself, and in a different confusing way, I was disappointed in myself. Either way, I was 30, and I had to accept it.

And now I'm 31, soon to be 32.

My mother has always said that I wear my heart on my sleeve, but I think I can't help but be transparent because of something innate in who I am. It stands to reason that if there are emotionally impassive people—people who either don't care or just can't easily be rattled from their level cool—then there must be people whose emotions are huge gusts in the sail of the self. 

In fact, I feel as though I am excruciatingly pulverized by nearly every facet of existence, and I've always wanted to believe that there was a virtue in my being pulverized: I would appreciatively take the pain of having my eyes blasted open by the brilliance and depravity of existence, for it would make me a better artist! (It would have to!)

In J. D. Salinger's heretofore published stories about the Glass family, Seymour Glass is a recognized authority in the world of words, and he is the author of what a successful writer (his brother, "Buddy Glass") considers to be the finest poetry this side of the Asian continent. My reading of "A Perfect Day" holds that Seymour, in his curious encounter with the the Bananafish-spotting little girl on the beach, becomes overwhelmed by his inability to deal with the great expanses of thought and feeling produced within himself by the tremendous world, and he can't swim to the surface anymore because he's eaten so many bananas, and he kills himself.

Seymour Glass's oceans of thought and emotion led to a literary success and a mental collapse.

And then there's John Kennedy Toole, who was so brilliant that he wrote a book that eventually won a Pulitzer, but who was so tortured by that book's repeated lack of publishing success that he got in his car and bid a carbon-monoxide goodbye to a world that clearly didn't want him and the beautiful art that he'd created and loved so much.

Ten years after the goodbye, his mother got the book published, and it won the most prestigious award a piece of literature can receive. 

It's one of the best novels ever written—not that any of these postmortem accolades mean anything to Toole's bones.

Anyway, I feel a great affinity for and simpatico with both Seymour Glass and John Kennedy Toole, and yet I am about to turn 32, which, to me, signifies that I am a man who is wretchedly tortured by an oversensitive disposition, but not to the extent that it will ever lead to transcendent artistic success, and it also tells me that I am nauseatingly tortured by the complete rejection my words and I have received on every possible level of literary life, but not to the extent that a real-life, truly great writer was.

I'm going to be 32 in early September.

I'm just some fucking guy.

What's killing me is that I am thoroughly convinced that I'm better than what I am in life right now, but what if I'm not? 

If what I am is what I don't want to be anymore, and which I have now spent years proving I can't change, then why should I want to be at all?

Is that what they concluded?

Maybe.

In light of the news that Salinger's estate is set to release five new books in the coming years, I also have to wonder if sensitive Seymour still would have killed himself if one of his beloved dead Japanese poets had five new manuscripts on the way.

Maybe he would have at least given it a few moments of thought before he woke up his wife like that.


Friday, August 23, 2013

A Swaddle Of Poetry

I have a small but earnest contingent of fans of my poetry, and this roving biographical shotgun blast called my "web log" seems like as good a place as any to post the only poems I’ve written in the last three years.

I was thinking about saving them for publications and competitions, but most of the time I shudder at the wretchedness of the published and heralded poems that are chosen in those places where I have a somewhat reasonable chance of distinguishing myself.
Here, these poems can just be themselves—a lyrical bouquet, a swaddle of poetry—rather than some loser’s discarded pieces of shit.
Enjoy!


One Of My Aspirations Is To Be A Solar Body

Several deep character flaws
that I can’t seem to amputate
or metamorphose
have frogmarched me into a life where,
at least sometimes,
which is to say, most of the time,
I have no greater or clearer aspiration,
no more specific purpose for being,
other than a decades-old, divinely inspired motivation to
write something so singularly beautiful
that its only earthly comparison would be the
emotional-intellectual brain-feeling of
sunlight on bare skin.

#####

A Wailing Ambitious Ex-Catholic Author Cannot Briefly Answer Your Chit-Chat Questions


Two years? Gone!
In elsewhere time,
and nothing written,
not a line,
not a rhyme,
but a heaping of beatings—
a blacksmith,
page after page,
beating and beaten,
choking with rage!

Must in the air,
not obligation but moss.
Coughing now, wheezing—
but my own boss!

That’s the spirit!
And that’s the body, too.
Both of us, both!
what can the two of us do?

Alas,
no daily rendering
of our poor Earth could be complete
without the existential march
of mischievous little feet
hurrying whatever wild weather
they bring to the cellar door
(where once the storm knocks
it knocks forty more).

And flying down low
into the safety below—
all my family, real friends, weird feelings in tow—
I’ll have myself time
and nearly all I might need:
to write,
to read,
and plead,
and plead,
and plead!

#####

There’s A C-Word Below

A child is unaware of its own fragility,
and me a beast-man I’m all too aware
that the grains of sand are always getting smaller.
The child dashes and leaps chin-first into the vast ocean
and slaps five with everyone at sea or ashore
while the beast-man’s bottom pockets fill with sand
and he slaps his hand to his sore throat,
where at the top his fragility threatens to reveal itself in its magnitude
and leave nothing but a shell, a husk, molted—
the outline of a man.

I used to be afraid.
There used to be a process for dying,
and I used to be afraid of its grim chapters.
But in a mood like this, my culture has exhausted the ancient process,
refined it to an unintentional perfection,
and I just want the relief
of no-thing.

Is it still called depression when you don’t even want out of it anymore?
The sun eventually hits both of the poles—
nowhere on Earth goes more than six months without sunlight—
but here?
It is a sin to compare God’s favorite marble to a jagged gray
pebble jammed into the tread of a shoe
lost somewhere very dark.

Am I robust? Not in the cradle where these words lie
nor in the cunt where they received their unholy conception.
Tomorrow I may be temporarily robust or increasingly fragile.
I’ll know which,
but it won’t matter.
One can only look so deeply into a mirror—
"This is not a pipe."

#####

Sudden Personal Revelations In A Sober Malaise


I used to have to ingest weird chemicals
to channel the muse of Poetry;
now it is sobriety that pumps me with weird chemicals,
and the words just flow
like smoke,
but out this time.
I wasn’t even happy when I was three years old.
Now, at thirty-one?
Cover me with dirt and trample the grave.
Leave no tombstone.
Forget it.
I have lived and that’s enough.


#####

Mayakovsky’s Lament

Fools! You spend your time like it’s gold,
but you can’t possibly be wise like me,
and spend your time like it’s enough.


Women are constantly beating down the doors
of all the temples I’ve never been to.


What are they after,
those hordes of the so-called fairer sex
(fair in beauty, unfair to my covetous lusts),
other than what I was after myself
when I was visiting the other temples?


So if we are so oppositely similar, then,
maybe you should stop looking at me like that.

My Books In Sexy Brief, Part Four, "The Great Anti-American Novel"


image

My fourth book is scheduled to be published in early November. It’s complete, and right now we’re sending it out to be reviewed and such, so I finally feel comfortable talking about it.
This is the third novel—the one that long ago I told myself I would send out to be published, to announce my arrival to the world of words.
To be perfectly frank, I am extremely proud of all four of my books, but the three that are on the market right now are selling worse than Hitler’s used underwear, so my business partner and I decided that, considering the tremendous quality of the book I wrote between September of 2012 and February of 2013, I should send the manuscript out to various high-ranking literary agents, to see if I could sell the book to a major publisher and try to use that national exposure to drive up the sales of my previously published books.
And lo and behold, it gained the attention of two extremely prominent literary agencies, who, after I queried them, asked for copies of the manuscript.
After reading the book, both agents praised my writing all the way up to God’s nipples, and both said the project wasn’t right for them.
"April is the cruellest month," and between that rejection and the rejection I received from the Stanford/Stegner Fellowship (they said an MFA wasn’t required, and yet somehow all five winners had MFAs—and by the way, FUCK AN MFA; college professors are well-spoken narcissistic douchebags). Anyway, the entire month of April consisted of me being rejected by visionless cowards, and I will admit right now that those rejections, juxtaposed with how strongly I feel about the rare quality of this book, combined to produce a severe gash in my soul, from which, every day, there is blood and energy pouring out. 
I have now been rejected in every single way that a writer could possibly ever be rejected. 
And yet here the fuck I am.
I believe I’ve written one of the best books of this young century, and I am staking my artistic life on it, because if this book, like the others, vanishes into a dark and indifferent, well-reviewed oblivion, so will I.
I will stop presenting my unwanted writings to a distracted world.
Because ultimately, if my opus comes and goes, I’ll have reached the point that I could say, on my deathbed, that I really tried.
I tried, and I failed.
I’ll shut it down and take my genius to some other avenue of life, but even then, even as a shrugging loser with a deflated (but pure!) soul, I will remain fundamentally certain that, having written these books—TGAAN especially—I have already succeeded.
But sadly it’ll just be the sort of intangible success that’ll never pay the bills or get me laid.
Either way, I have done the thing.
The cover is above.
I took my pain, and I created something beautiful.